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Culture Vulture

 

Marlene Pietsch
From: The Lutheran

 


The other night I stepped out of the quiet cocoon of my car on a mission to the local video store. My teenage son needed a video for study and I had a rare free evening to enjoy a good movie. I entered a brash world of bright lights, amplified music and the sound of gunfire from the large screen in the corner.

After a cursory view, the videos seemed to be all trash, violence and sleaze. For a few minutes I felt overwhelming alienation and even disgust. What was I, child of God, doing here? And yet, I couldn’t pretend too much other worldliness and pious judgment. I did borrow Shakespeare in Love for my son, and now I’m looking forward to watching it with him and learning from his analysis of its themes and technique. And I finally enjoyed, with some reservations, The End of the Affair, based on Graham Greene’s book on his tortured ‘affair’ with God.

My experiences illustrate, I think, our ambivalent feelings about popular culture. On the one hand, we recognise that we are bombarded and manipulated by a seductive philosophy of greed, comfort, self-interest and sexual licence. In the popular media, the church and Christians are rarely portrayed with honesty or admiration. (That, by the way, was what marred my enjoyment of Chocolat). We hardly feel safe with the instincts and directions of public culture, especially if we are parents of young children. And yet, what is more pleasurable than curling up with a good book?

The same applies to film and television. When Sea Change was our weekly fare, Bob Jelly, Diver Dan and Laura became part of the family. Sharing views on recent movies enlivens and enriches many conversations.

Survival by separation

One way to cope with popular culture is to separate our lives into ‘Sunday morning’ and ‘Sunday evening’ compartments.

Sunday morning covers the Christian stuff, our church family obligations and feasting on the Word and Bread of Life. Sunday evening is a time to relax in front of the television. There we are fed on the philosophies of current filmmakers, or we face reality as seen through the eyes of 60 Minutes.

To prevent this half-hearted and segmented approach to discipleship, there is a great need to relate God’s view of the world to the way the world sees itself. Instead of viewing and reading critically, we have become comfortable with excesses and ethics that would have shocked us only a few years ago. We need constant reminders of who we are and how we reflect Christ to family and friends by what we watch and what we do in our spare time.

 

Survival by isolation

Another way to cope with popular culture is to avoid it as much as possible. I do have sympathy with those who have thrown away the television in favour of more constructive and communal activities. There is great value in realising its insidious takeover of our precious spare time and recognising our determination to ‘entertain ourselves to death’.

But my prejudice shows, because I cannot imagine life without a book on the bedside table. My library represents hours of pleasure, when I have been lost in another world or another life, experiencing pain and possibilities in a way that entered my very heart. And what if I’d never seen Schindler’s List or Dead Men Walking or Babette’s Feast? They have encouraged much personal reflection on the themes of suffering, forgiveness and grace. Vivid images from them remain embedded in my memory.

 

Can we really afford to ignore popular entertainment?

Even if we regard it as pollution, popular entertainment is part of the air we breathe. This is the culture into which we bring the gospel, and we need to understand its myths and preoccupations. Perhaps it is films especially that provide an interesting point of contact between young and old, Christian and non-Christian.

What is true is that we always live as dual citizens. Being ‘in the world’ but not ‘of the world’, we are a distinctive and holy people; we nevertheless are involved in our community and immersed in the life of our neighbour. This is a difficult but necessary balance.

It is true that we are called to live and work with feet firmly planted in the real world, but some truths are most graphically faced when they are portrayed through story. Story has a way of ‘sneaking into the back door of our lives’. It is difficult not to be moved each time we hear Jesus’ parable of the Prodigal Son, and C S Lewis’ Narnia series smuggles profound theology into the fantasy world of a lion and a witch. The best films and books edify and entertain.

Many common themes in popular culture reveal the basic desires of people to belong, to be loved and to have meaning. The perfect lover and the perfect body on television and cinema screens reflect our hope for something better than life’s turmoil and our personal frailties. As bearers of the message of God’s grace, we can speak with conviction to a culture which seems obsessed with superficiality but is asking for meaning.

If we can use films and books to address these questions, and if they can at the same time delight us with their poetry or visual images, we have a powerful tool.
 

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